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For Administration
Jazz Blues Club » Articles for 04.07.2008
Keith Jarrett - Piano Solo Live Tokyo Metropolitan Fesival Hall 30/10/2002 Music video
Artist - Keith Jarrett
Album - Piano Solo Live Tokyo Metropolitan Fesival Hall
Date - 30/10/2002
Imagen: 512x288
Duracion: 1 h 17 min
MP3@192
Tamaño. 388 MB

Keith Jarrett presenta este DVD grabado en el "Metropolitan Festival Hall de Tokio” perteneciente a su gira por Japón del 2002. Un excelente documento sonoro dirigido por el realizador Kaname Kawachi en donde Jarrett, interpreta una nueva visión de su aclamado disco "Radiance". Contiene además, más de una hora de repertorio inédito junto a tres versiones. El himno tradicional Irlandés ”Danny Boy”, y dos estándar de jazz ”Old Man River” y ”Don’t Worry ‘Bout Me”.

Keith Jarrett - Piano Solo Live Tokyo Metropolitan Fesival Hall 30/10/2002Keith Jarrett - Piano Solo Live Tokyo Metropolitan Fesival Hall 30/10/2002Keith Jarrett - Piano Solo Live Tokyo Metropolitan Fesival Hall 30/10/2002Keith Jarrett - Piano Solo Live Tokyo Metropolitan Fesival Hall 30/10/2002
Keith Jarrett - Piano Solo Live Tokyo Metropolitan Fesival Hall 30/10/2002
Teri Thornton - I'll Be Easy to Find Music » Jazz » Vocal Jazz
Teri Thornton - I'll Be Easy to Find
     Artist: Teri Thornton
     Album: I'll Be Easy to Find
     Recorded: 1997, Released: 1999
     Label: Polygram Records
     Genre: Jazz Vocal
     Format, bitrate: MP3@320 kb/s
     Time: 0:52:21
     Size: 113,71 MB

     After a nearly 40-year hiatus, Thornton is back to swing and sing her way into your heart. In comparison to her old Riverside recordings, it seems she's lost nothing vocally, the angelic clarity and souful vibrato intact, her enthuisiasm spiking depth charts. Teri Thornton is emphatically back with this complete view of an artist, finally giving us a taste of what we've suspected for these many years. Michael G. Nastos, AMG
Kenny Drew - By Request 2 (1986) Music » Jazz
Kenny Drew - By Request 2 (1986)
     Artist: Kenny Drew
     Album: By Request 2
     Release: 1986
     Label: Baystate (LP)
     Format/Bitrate: MP3/320
     Size: 102 MB





     Enjoy..... smile
Stacey Kent - Breakfast On The Morning Tram Music » Jazz » Vocal Jazz
Stacey Kent -  Breakfast On The Morning Tram     Artist: Stacey Kenty
     Album: Breakfast On The Morning Tram
     Label - Blue Note
     Year - 2007
     Quality: MP3@256 kbps
     Size: 73,4 MB
     Time: 56:37

     Stacey has a soft voice, the instrumental album that is excellent, a perfect combination. In this album Stacey adventure is also the Bossa Nova - in music - "Samba Saravah" of Baden Poewell and Vinicius de Moraes - detail the music is sung in French. Another song that I drew much attention was the version that Stacey did for "What A Wonderful World" - simply perfect and different his way of cantar.O me most was imprecionou even the instrumetal. The track "The Ice Hotel" already shows the whole quality of musicians that come with Stacey Kent, these are Grahem Harvey (Piano), John Parricelli (guitar), Dave Chamberlain (Low), Matt Skelton (Drums and Percussion) and Kim Tomlinson (Tenor saxophones, alto and soprano and flute).
     Finally, for those who never heard Stacey Kent I recommend. I'm listening at that time, is a singer of great quality and the musicians accompanying the singer. The album "Breakfast On The Morning Tram" is proof of that. And I found a novelty - Stacey said in an interview to one TV channel in Portugal, that his inspiration in Brazilian and Portuguese subjects has helped in their desire to learn the language. Waiting to hear the Portuguese, Stacey Kent. Valley and much give that album.
Lester Young - The Savoy Recordings (2007) Music » Jazz » BeBop
Lester Young - The Savoy Recordings (2007)     Artist - Lester Young
     Album: The Savoy Recordings
     Release Date: 2007
     Label: Brilliant Jazz
     Genre: Jazz
     Format, bitrate: mp3, 320kb/s
     Size: 45,6+59,1 MB

     Although many critics have written that Lester Young never sounded as good after getting out of the military, despite erratic health he actually was at his prime in the mid- to late-'40s. He toured (and was well paid by Norman Granz) with Jazz at the Philharmonic on and off through the '40s and '50s, made a wonderful series of recordings for Aladdin, and worked steadily as a single. Young also adopted his style well to bebop (which he had helped pave the way for in the 1930s). But mentally he was suffering, building a wall between himself and the outside world, and inventing his own colorful vocabulary.
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