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 Into the Rhythm
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1974: Milt Buckner,Buddy Tate & Jo Jones - Midnight Slows |
Music » Jazz |
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 Artist: Milt Buckner, Buddy Tate, Jo Jones Album: Midnight Slows (vol. 5) Released LP: 1974 Label: Black & Blue Format/Bitrate: MP3/256 (LP -Rip) Size: 68 MB REPOST with a new link Ïðåäëàãàþ ñîâåðøåííî î÷àðîâàòåëüíûé àëüáîì - ñîâìåñòíóþ ðàáîòó ïðåêðàñíûõ ìóçûêàíòîâ Milt Buckner, Buddy Tate è Jo Jones  Âñåì ñîâåòóþ ïîñëóøàòü (Pîìàíòè÷åñêèé íàñòðîé ãàðàíòèðîâàí..  ) |
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1956-1957: Lou Levy Trio - A Most Musical Fella |
Music » Jazz » Mainstream |
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 Artist: Lou Levy Trio Album - A Most Musical Fella Label - RCA Years: 1956-1957 , release - 1999 Quality - MP3@320 kbps Size - 79,4 mb (sharebee) Total time - 46:28
Ýòîãî çàìå÷àòåëüíîãî ïèàíèñòà ìû çíàëè ïî ñîâìåñòíûì âûñòóïëåíèÿì ñ ñ òàêèìè çíàìåíèòûìè ìóçûêàíòàìè, êàê Stan Getz, Ella Fitzgerald è ìíîãèìè äðóãèìè. Ïðåäëàãàþ òåïåðü ïðîñòî ïîñëóøàòü åãî òðèî, óâåðåí, âàì ïîíðàâèòñÿ!
REPOST by request This early effort by pianist Lou Levy (28 at the time) finds him playing superior bop interpretations of seven standards and three straight-ahead originals. Levy is teamed on the Los Angeles dates with bassist Max Bennett and drummer Stan Levey. Last available as a French RCA LP in 1983, the music is an excellent example of the modern mainstream of the period and still sounds quite stimulating and swinging. [A Most Musical Fella was reissued on CD in both 1999 and 2001.] ~ Scott Yanow, All Music Guide |
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1957: Earl Hines – Jazz In Paris: Paris One Night Stand |
Music |
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 Artist: Earl Hines Album: Jazz In Paris: Paris One Night Stand Label: Philips/Universal Music France/Verve Year: Nov 15, 16 1957; release: 2000 Genre: Piano Jazz Format mp3, bitrate: 320 kb/s Time: 52:38 Size: 133 Mb (covers) The two 1957 sessions that make up this CD featuring Earl Hines with a pickup rhythm section in Paris were recorded originally for Phillips, with bassist Guy Pedersen and drummer Gus Wallez. The pianist is in top form, including just a little of the Dixieland repertoire ("Royal Garden Blues" and "Muskrat Ramble") that typically dominated most of his recordings made in the U.S. during this period, and spending more time exploring favorite warhorses like "Hallelujah" and "Makin' Whoopee," as well as already classic jazz compositions such as "If I Could Be With You One Hour Tonight" and "I Got It Bad (And That Ain't Good)." While the tracks are generally brief, the music is consistently swinging at a high level and four bonus tracks have been added to the CD reissue, so it should be considered an essential purchase for fans of Earl "Fatha" Hines. - Ken Dryden at All Music Guide |
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1977: Don Cherry, Dewey Redman, Charlie Haden, Eddie Blackwell - Old and New Dreams |
Jazz, Modern Jazz |
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 Artists: Don Cherry, Dewey Redman, Charlie Haden, Eddie Blackwell Album: Old and New Dreams Label: Black Saint (120 013-2) Year: 1976; release: 1977 Format, bitrate: FLAC Time: 43:31 Size: 271 MB (2 files) AMG Rating:   With Don Redman, Charlie Haden & Ed Blackwell. A great group. ~ Michael G. Nastos, All Music Guide Old and New Dreams was a jazz group that existed from 1976 to 1987. The band was composed of tenor saxophone player Dewey Redman (doubling on musette), bassist Charlie Haden, cornet player Don Cherry and drummer Ed Blackwell. All of the members were former sidemen of free jazz progenitor, alto saxophonist Ornette Coleman, and the group played a mix of Coleman’’s compositions and originals by the band members.
They released two records on the German jazz label ECM: a self-titled release in 1979 and Playing, recorded live, a year later. These discs were bookended by a pair of discs on the Italian Black Saint label: a studio record from 1976 (also self-titled) and 1987’’s One For Blackwell, capturing the quartet’’s final concert at a birthday celebration for Blackwell.
Haden is the only surviving member of the quartet, Blackwell having died in 1992, Cherry in 1995 and Redman in 2006. (Source: Wikipedia) |
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2007: Vince Seneri - The Prince's Groove |
Music » Jazz » BeBop » Hard-bop |
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 Artist: Vince Seneri Album: The Prince's Groove Label: PVR Release Date: 2007 Recording Date: May 28, 2007-May 30, 2007 Genre: Hard Bop Format, bitrate: mp3/320 kbps Size: 113 MB È îïÿòü Vince Seneri íà Hammond, è îïÿòü Houston Person íà òåíîð-ñàêñîôîíå! For Vince Seneri's fifth CD, he's adding on to the tried and true organ-guitar-drums format, and the pluses change from track to track. Trumpeter Randy Brecker, not acknowledged for playing soul-jazz, injects his bop and neo-bop flavored licks to several tracks, and flute player Dave Valentin, known for his work in the Latin-jazz field, contributes his always high level, atmospheric, quickwitted lines.
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1957: The Coleman Hawkins, Roy Eldridge, Pete Brown, Jo Jones All-Stars At Newport |
Music » Jazz » Mainstream |
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 Artist: Coleman Hawkins, Roy Eldridge, Pete Brown, Jo Jones Album: The Coleman Hawkins, Roy Eldridge, Pete Brown, Jo Jones All-Stars At Newport (Live) Label: Verve Year: Jul 5, 1957 Release: Aug 7, 2007 Format, bitrate: mp3, 320kb/s Size: 73MB AMG rating:  For mr. lex
Repost with a new link In 1957 Hawkins underwent a critical renaissance. Fellow musicians and writers alike finally realized that his style (whether currently in fashion or not) was timeless and that the veteran tenor could still blow most of his competitors away. He teamed up with trumpeter Roy Eldridge and altoist Pete Brown for what would be a highly successful set at the Newport Jazz Festival. Their first number ("I Can't Believe That You're in Love with Me") was so explosive it made the rest of the performance (a ballad medley and "Sweet Georgia Brown") anticlimatic. Actually, Brown is just okay on "I Can't Believe" but the long solos of Eldridge and Hawkins are among the most exciting of their career, making this LP well worth searching for. ~ Scott Yanow, All Music Guide |
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1954: Lou Levy Trio - Jazz in Hollywood |
Cool, West Coast Jazz |
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 Artist: Lou Levy Trio Album: Jazz in Hollywood Label: Nocturne Records/Fresh Sound Record Year: 1954, release: 1988 Quality: MP3@320 kbps Size: 53 mb (sharebee) Total time: 23:58 Î÷åðåäíàÿ âñòðå÷à ñ ïðåâîñõîäíûì ïèàíèñòîì! Another meeting with the excellent pianist! This Nocturne album (recorded in September 23, 1954) represents the return of Lou Levy to the jazz scene after a three years absence. Since his professional debut with Georgie Auld in 1947, he accompanied Sarah Vaughan, and toured Scandinavia with Chubby Jackson at the end of '47. Later he worked with several bands and groups - Boyd Raeborn, Woody Herman, '49-'50; Louie Bellson-Terry Gibbs Sextet, '50; Tommy Dorsey, Georgie Auld again and then Flip Philips all in 1951, after which he settled in Minneapolis working as an advertising salesman for a dental survey publication.In spring 1954 Lou Levy traveled to L.A. and met his old friend Harry Babasin who invited him to record in his own Nocturne label. Lou made two record dates, one with Virgil Gonsalves and the other this trio sessions, which unfortunately remained unissued until now.At that time the record was announced as an imminent release on Nocturne, but the company ceased its activities just before the record coud come out. At last this album has been rescued from oblivion and appears now with its original number, NLP-10. Backing Lou Levy, are two regular members of the Nocturne label, Larry Bunker drums, and the company's founder, the venerable Harry Babasin on bass.Now we can savour the first album of Lou Levy as leader. It was almost twenty five years ago!!! ~ Jordi Pujol, Fresh Sound Record production, 1988 |
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2005: Vince Seneri - Street Talk |
Music » Jazz » Mainstream |
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 Artist: Vince Seneri Album: Street Talk Label: Mambo Maniacs Records Release Date: Aug 23, 2005 Recording Date: Apr 18, 2005,Apr 19, 2005 Genre: Hard Bop Format, bitrate: mp3/VBR0 Size: 75 MB Rating AMG:  Åùå îäèí àëüáîì "New-Hammond"-îðãàíèñòà - äðóçüÿì ïî Êëóáó!
Although he's not the household word his idol Jimmy Smith or the DeFrancescos are, Vince Seneri is determined to carry on the great tradition of the organ by playing what the album cover bills as "the new Hammond B-3". Street Talk is an explosive "red hot" jazz organ record that hit the charts in July 2005! Featuring Master of the Hammond B3 Organ and jazz great Vince Seneri. Swing, blues, soul, and latin jazz all wrapped up in one magnificent jazz organ record. Joining Vince Seneri on Street Talk are his special guest, legends of the tenor sax David "Fathead" Newman and tenor man, Houston Person as well as Grammy Award Winning flautist Dave Valentin. Vince Seneri's Street Talk Album was rated as the best new organ jazz release in 2005. Add this to your music collection today. ~ cduniverse.com |
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1983: B.B. King - Blues 'n' Jazz |
Music |
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 Artist: B.B. King Album: Blues 'n' Jazz Label: MCA Records Year: ; release: 1983 Genre: Blues Format mp3, bitrate: 320 kb/s Time: 36:54 Size: 84,9 Mb  EVERY DAY IS A B.B. KING DAY ! The seemingly endless career of blues singer and guitarist B.B. King is documented in great detail, a discography rich enough in both bulls-eyes and misfires to keep the proprietor of any shooting range content for an equal length of time, whatever that turns out to be. Some of these records stand out in terms of industry success, this status hopefully grooving in lockstep with artistic achievement. The 1983 Blues 'N' Jazz wound up winning a Grammy for the best blues recording of the year. Without basically disagreeing with that particular status, many music critics nonetheless pointed out that King's recordings from between two and three decades earlier were better. It is both understandable and expected that critics want to establish themselves as hipper than the Grammy awards. While it is a nice change for something old to be considered better than something new, this particular argument leads nowhere — despite being true. Of course, rhythm & blues and rock & roll records sounded better in the '50s and '60s. A long list of things that were likewise much better back then could be easily drummed up, perhaps with a blues backbeat: blue jeans, American cars, sodas, hot dogs, action films, Hawaiian shirts. It goes on and on. Appreciation of the here and now is, as opposed to nostalgia, something of a life lesson. The subject is discussed between parents and children more frequently then it comes up in music reviews, especially of albums where one of the lyrical directions is to "Sell My Monkey." The here and now of B.B. King at almost any point in his career was that he kept a band together, this ensemble growing in size as the bandleader's fame and fees expanded..... |
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1966: Johnny Hartman - Unforgettable |
Music » Jazz » Vocal Jazz |
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 Artist: Johnny Hartman Album: Unforgettable Label:Impulse! Year:rec.Feb 15, 1966-Sep 28, 1966 / rel.1995 Format:MP3 @ 320 Kb/s Time: 46:06 Size: 98,8 Mb AMG rating: To my friends in JBC! Please enjoy.
Combining songs from two 1966 ABC-Paramount LPs (Unforgettable Songs by Johnny Hartman and side two of I Love Everybody) onto one CD, the Impulse! label presents this smooth-voiced baritone backed by brassy orchestration for the first time since his dates with the Dizzy Gillespie Big Band. This proves to be a fine marriage, though lacking the intimacy of his unparalleled recordings with the small ensembles led by John Coltrane (John Coltrane and Johnny Hartman) and Illinois Jacquet (I Just Dropped by to Say Hello). One of the biggest tragedies of the swing/cocktail revival of the late '90s was that this album remained unheard at all the martini parties thrown by hipsters across the globe.
Like dark satin in a highball glass, Johnny Hartman simmers through a song with a combination of Nat "King" Cole's amiable warmth and Frank Sinatra's sly phrasing. Unforgettable shines with pop standards like "The Very Thought of You," "The More I See You," "Isn't It Romantic?," "Almost Like Being in Love," and of course the title track, in which Hartman pays loving tribute to Cole while still never abandoning his own personal touch. The album concludes with five live tracks (side 2 of the 1966 LP I Love Everybody), swingingly propelled by the rapid-fire drumwork of Shelly Manne and including the smoldering "That Old Black Magic" and the hilarious (at least 30+ years later) chauvinism of "Girl Talk." Perfect for a black-tie wedding reception or a much more casual evening for two in front of the fire, Unforgettable (like any of Hartman's Impulse! recordings) is filled with a warm romanticism that never gets smarmy, and always stays as cool as a blackjack dealer at The Sands.~ by Zac Johnson, AMG.
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2002: Dean Martin - Pennies From Heaven |
Music |
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 Artist: Dean Martin Album: Pennies From Heaven Label: Time Music Year: 2002 Genre: Vocal Format, bitrate: flac with .cue Size: 96+96+12 MB "Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and words by Johnny Burke. It was introduced by Bing Crosby in the 1936 film of the same name. It was recorded in the same year by Billie Holiday, and afterwards performed by Louis Armstrong, Tony Bennett, Arthur Tracy, Big Joe Turner, Frank Sinatra, Dean Martin, Karel Plíhal and many other jazz and popular singers. |
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1973: Jimmy McGriff & Groove Holmes - Come Together |
Music » Jazz » BeBop » Hard-bop |
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 Artists: Jimmy McGriff & Richard 'Groove' Holmes Album: Come Together Label:Groove Merchant Release Date:1973 Genre: Soul Jazz,Jazz-Funk Format, bitrate: mp3/320 kbps Size: 91 MB Ìîèì äðóçüÿì ïî Êëóáó!
Áèòâà äâóõ ìàñòåðîâ Hammond'a! McGriff and Richard "Groove" Holmes on the same ticket.
~ Michael Erlewine, All Music Guide |
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