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Jazz Blues Club » Articles for 02.02.2010
1972-1973: James Brown – The Singles vol 8 Soul, Soul-Jazz, Funk-Jazz
1972-1973: James Brown – The Singles vol 8
     Artist: James Brown
     Album: The Singles vol 8 1972-1973 [2CD]
     Label: Hip-O
     Years: 1972-1973, release:2010
     ENCODER: Lame 3.97 -V2
     Quality: VBR kbps
     Size: 174,8 MB + 144:05 min

The early 70s were an amazing time in soul music and for the King Of Soul in particular documented masterfully on Volume 8 in the James Brown Singles series from Hip-O Select! Like the other volumes, it includes both sides of all the JB singles, programmed chronologically from early 1972 through August 1973 from furious and frenetic funk to socially conscious soul, blacksploitation soundtrack gems to tender ballads and a few that combine those elements. Includes unstoppable classics and comparable rarities, with detailed notes on each single, the line-up of players and the dates of release. Straight up fantastic funky soul, and not just for completists it's a stellar portrait of JB that shows just how far he reached stylistically without ever compromising his established identity as The King Of Soul! 40 tracks on 2CDs: "Nothing Beats A Try But A Fail", "Hot Pants Road", "King Heroin", "Pass The Peas", "There It Is" (Parts 1 & 2), "Honky Tonk" (Parts 1 & 2), "Get On The Good Foot" (Parts 1 & 2), "I Got Ants In My Pants" (mono and reverb versions), "What My Baby Needs Now Is A Little More Lovin" and "This Guy -- This Girl's In Love With You" with Lyn Collins, "Mama's Dead", "Everybody's Got Soul", "Sexy Sexy Sexy", "Slaughter Theme" and much more! (Limited edition!) ~ © 1996-2010, Dusty Groove America, Inc.
1956: Billy Bauer - Plectrist Music » Jazz » BeBop » Cool
1956: Billy Bauer - Plectrist
     Artist: Billy Bauer
     Album: Plectrist
     Label: Norgran MGN 1082
     Year: 1956     
     Format, bitrate: mp3@320 kbs (LP-rip)
     Time: ~ 40 min
     Size: 88,56 MB (with Covers Front/Back HD)




Billy Bauer was an accomplished studio guitar player whose only studio date as a leader was this release, finally reissued as a part of the Verve Elite Edition limited edition CD series in 2000. Throughout the CD he is never overpowering, but a solid rhythmic player, whether essaying a gently swinging "Too Marvelous for Words" or a more sprightly "You'd Be So Nice to Come Home To." Bauer also wrote several originals for the date, including the easygoing bop vehicle "Lincoln Tunnel," the tender ballad "Night Cruise," and the unaccompanied "Blue Mist." Accompanying Bauer is bassist Milt Hinton, drummer Osie Johnson, and the obscure pianist Arnold Ackers. While this won't be an essential CD for every jazz fan, those who acquire it will not be disappointed. ~ Ken Dryden, All Music Guide
Michael Franks Crossover Jazz, Smooth & Lounge
Michael Franks
     Artist : Michael Franks
     Album : Michael Franks
     Year : 1973
     Genre : vocal jazz/lounge
     Label : Brut
     Format : MP3;VBR
     Size: 53 mb

The rare debut album


An enormously popular performer in the late '70s and early '80s, Franks performed folk/rock songs while in high school, then became a literature student at UCLA and a part-time performer. He taught undergraduate music courses in the early '70s at both UCLA and Berkeley, then provided scores for the films Count Your Bullets and Zandy's Bride. He made his first album in 1973, then enjoyed success with a string of late '70s albums on Warner Brothers. He has worked with the likes of Flora Purim, Kenny Rankin, Ron Carter, the Crusaders, David Sanborn, Toots Thielemans, Eric Gale, and others, and has had songs recorded by The Manhattan Transfer, Patti Labelle, Carmen McRae, and the Carpenters.
~ Ron Wynn, All Music Guide
2002: James Cotton - 35th Anniversary Jam of the James Cotton Blues Band Blues, Modern electric blues, Harp
2002: James Cotton - 35th Anniversary Jam of the James Cotton Blues Band

     Artist: James Cotton
     Album: 35th Anniversary Jam of the James Cotton Blues Band
     Label:Telarc Distribution
     Year:rec.Jun 2001 / rel.May 28, 2002
     Format:MP3 @ 320 Kb/s
     Time: 53:33
     Size: 117, 6 Mb


To my friends in JBC! Please enjoy.

Don't complain that there are too many guests here -- that's what this jam was all about, inviting a bunch of friends and kindred spirits to jam in the studio during June of 2001. These musicians were here to salute not just the great James Cotton and his songs, but the long life of his classic James Cotton Blues Band, by playing some of their greatest songs and having a good time. And that's what this is -- a good jam session, performed with heart and vigor. Some of the guests might be a bit better than others, but the band is lively, there's more grit than you'd expect for an all-digital production, and Cotton has moments where he simply smokes. He's constantly a joy to hear; listen to how he breaks into "Jingle Bells" during "The Creeper" and try not to smile. Sure, this isn't the first James Cotton album you should get, or even the fifth, but if you've been a longtime fan, you'll have fun with this.~ by Stephen Thomas Erlewine, AMG.
2008: Watermelon Slim And The Workers - No Paid Holidays Music » Blues
2008: Watermelon Slim And The Workers - No Paid Holidays

     Artist: Watermelon Slim And the Workers
     Album: No Paid Holidays
     Label: NorthernBlues Music
     Year: rec.Nov 2007 / rel.Jun 24, 2008
     Format: MP3 @ 320 Kb/s
     Time: 52:21
     Size: 115,6 Mb
     AMG rating: 2008: Watermelon Slim And The Workers - No Paid Holidays

To my friends in JBC! Please enjoy.

Watermelon Slim has a fresh contemporary vision of country blues, a personal one that still allows listeners to feel right at home, and while he hasn't varied his approach too much over the course of his past couple of albums (No Paid Holidays is his third release for Northern Blues), what he does fits and works so well that that's undoubtedly a good thing. Here he hits his usual touchstones, pounding out a couple of full-tilt blues-rockers, shining on slide guitar, stripping things down on occasion for one of his unique "hollers." There aren't really any surprises, but again, that's fine. Well, actually, hearing Slim's stripped-down harmonica version of Laura Nyro's "And When I Die" is a bit of a surprise, and a delight at that. Also a delight is the slide guitar bonanza of "Bubba's Blues," which features guest slide guitarist Lee Roy Parnell and Slim tearing the rafters down. Slim's sharp narrative sense emerges on "Max the Baseball Clown," which conjures long-ago boyhood summers while the opener, "Blues for Howard," contains the remarkable line "You can't stay neutral on a moving train." The blues is such a conservative genre in so many ways, depending on familiar progressions and purposely clichéd sentiment to convey universal emotions. Watermelon Slim manages to work within that framework and still somehow make it all seem hushed and personal, even intimate. It's not an easy line to walk, but he does it as well as anyone currently on the contemporary blues scene. No Paid Holidays may not cut into any new territory, but it doesn't really have to because what this guy does is wonderfully solid right where it is.~ by Steve Leggett, AMG.
2003: Eddie Higgins - Tenderly: The Best Of Music
2003: Eddie Higgins - Tenderly: The Best Of
    Artist: Eddie Higgins
    Album: Tenderly: The Best Of
    Label: Tokuma Records
    Genre: Piano Jazz
    Format mp3, bitrate: 320 kb/s
    Time: 1:05:45
    Size: 152 Mb

Another trip in the beautiful, melancholic and introspective piano jazz world of Eddie Higgins. No originals only wonderful standards in a marvelous personal rendition.
So, sit back, relax and enjoy your listening. (Too bad that we're running out of Eddie's albums...)
1954 - 1958: Playboy Jazz All Stars volume 2, 2LP Music » Jazz » Mainstream
1954 - 1958: Playboy Jazz All Stars volume 2, 2LP
     Artist: Various
     Album: The Playboy Jazz All-Stars volume 2
     Label: Playboy Records PB #1958 (2 LP)
     Years: 1954 - 1958
     Format, bitrate: mp3@320 kbs (LP-rip)
     Time: ~ 90 min
     Size: 204,01 MB (Covers Front/Back HD)



More than 25,000 Playboy readers made the scene, picking their favorites jazzmen in the second annual Jazz Poll for a place with the 1958 Playboy All-Stars Jazz Band.
The result of the poll is a double LP supervised by Leonard Feather (as Playboy Jazz Editor), an issue available only for Playboy Magazine subscribers at this time.
I'm happy to share these tracks with the friends of the Club. PM
1976: Count Basie - Basie Jam #3 Mainstream, Basie Count
1976: Count Basie - Basie Jam #3
     Artist - Count Basie
     Album - Basie Jam #3
     Label - OJC/Pablo
     Year - 1976, release - 1992
     Quality - MP3@320kbps
     Size - 78,3 mb (sharebee)
     Total time - 37:00
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     From the same recording session that resulted in Basie Jam - Vol. 2, these four performances of standards also feature Count Basie, guitarist Joe Pass, trumpeter Clark Terry, altoist Benny Carter, trombonist Al Grey and tenorman Eddie Lockjaw Davis, all in fine form. Norman Granz always preferred Basie in a small group and the success of these jams helped bolster his argument. ~ Scott Yanow, All Music Guide
2009: Bluesology: The Modern Jazz Quartet Anthology Music
2009: Bluesology:  The Modern Jazz Quartet Anthology
    Artist: The Modern Jazz Quartet
    Album: Bluesology: The Modern Jazz Quartet Anthology (The Atlantic Years 1956 - 1988) 2cd
    Label: Warner Uk/Zoom
    Genre: Jazz
    Format mp3, bitrate: 256 kb/s vbr
    Time: 2:17:10
    Size: 181 Mb

This compilation gives a timely reminder of the established jazz values. The Modern Jazz Quartet had a long, distinguished career because generations of listeners found their music cool and easy on the ear.
Their combination of piano, vibraphone, bass and drums gave the MJQ an instantly recognisable sparse sound that was hugely influential. The absence of brass or saxophones concentrated attention on John Lewis's piano and Milt Jackson's vibes. The two complemented each other beautifully, indulging in call-and-response and creating interweaving melody lines. All four players had their roots in bebop, having played with such legends as Dizzy Gillespie, Charlie Parker and Miles Davis, giving the quartet an innate sense of swing. As well as cool jazz, MJQ were also influential in the combination of jazz and classical music known as Third Stream. This produced striking combinations of material. Included here are jazz versions of the sprightly Bachianas Brasileiras by Brazilian composer Villa-Lobos, the carol God Rest Ye Merry Gentlemen, and the Bach cantata Jesu, Joy of Man's Desiring, alongside jazz staples such as Thelonious Monk's 'Round Midnight and Ornette Coleman's Lonely Woman. However, most compositions here are MJQ originals, including Jackson's Bag's Groove and Lewis' Django, both of which became popular jazz standards in their own right. In typical MJQ fashion, both pieces display a smooth surface beneath which lie greater complexities, so they sound better the more one listens to them. In an extensive discography, many of the quartet's best releases were live recordings. This anthology wisely includes one disc of studio-recorded tracks and a second focussing on concert recordings. Live, the quartet sounded slightly rougher than in the studio, stretching out and exploring pieces more.
This release is an excellent overview of the MJQ's career, including most of their finest moments. It makes a good starting point for beginners. Established fans will be attracted by its inclusion of three unreleased tracks recorded in 1971 as part of the sessions that produced the Plastic Dreams album.
- bbc.co.uk
1957-1960: The Modern Jazz Quartet - Third Stream Music Music » Jazz » BeBop » Third Stream
1957-1960: The Modern Jazz Quartet - Third Stream Music
     Artist: The Modern Jazz Quartet
     Album: Third Stream Music
     Years: 1957-1960, release: 2002
     Label: Wounded Bird Records
     Format, bitrate: MP3@320 kb/s
     Time: 36:09
     Size: 88,46 MB (+5% recovery) (sharebee)
     AMG Rating 1957-1960: The Modern Jazz Quartet - Third Stream Music


This Atlantic release has some unusual performances by the Modern Jazz Quartet. Two selections ("Da Capo" and "Fine") combine the MJQ, which is comprised of vibraphonist Milt Jackson, pianist John Lewis, bassist Percy Heath, and drummer Connie Kay, with the Jimmy Giuffre 3 (Giuffre on clarinet and tenor, with guitarist Jim Hall and bassist Ralph Pena) on "Exposure"; six chamber classical musicians add color, and a pair of other numbers ("Conversation" and the very successful "Sketch") match the MJQ with the Beaux Arts String Quartet. There is plenty of thought-provoking music on this disc even if the idea of creating a third stream between jazz and classical music never came to pass.
~ Scott Yanow, All Music Guide
2001: VA - Alligator Records 30th Anniversary Collection (2 CD) Blues, Modern electric blues, Modern Electric Chicago Blues, Blues woman, Harp
2001: VA - Alligator Records 30th Anniversary Collection (2 CD)

     Artist: VA
     Album: Alligator Records 30th Anniversary Collection
     Label: Alligator records
     Year: rec.Nov 23, 1974-Jan 9, 2000 / rel.Aug 21, 2001
     Format: MP3 @ 320 Kb/s, avi
     Time: CD1 - 78:52, CD2- 72:12 + Movie - 03:53.
     Size: 171,7 Mb, 195,4 Mb


To my friends blues man's in JBC! Please enjoy.

The Alligator Records 30th Anniversary Collection is a two-disc with 31 songs (over 145 minutes of music).
One disc of studio material and one disc of live performances. As a bonus, the live disc also includes a special CD-Rom track featuring the only known video of Alligator's legendary first artist, Hound Dog Taylor, performing at the 1973 Ann Arbor Blues Festival.
The studio disc features gems from Marcia Ball, Koko Taylor, Shemekia Copeland, Coco Montoya, Corey Harris and many more. Most of the tracks are taken from Alligator's past years and there are no duplicate songs from the 20th & 25th collections. The live disc includes previously unreleased performances by Albert Collins, Son Seals (w/Elvin Bishop), C.J. Chenier, Little Charlie and the Nightcats and Lil' Ed & The Blues Imperials, plus others from Luther Allison, Saffire-The Uppity Blues Women, Delbert McClinton, Hound Dog Taylor and more. ”

Recommended ! / Âåëèêîëåïíûé àëüáîì!

1989: Van Morrison - Avalon Sunset Music
1989: Van Morrison - Avalon Sunset
    Artist: Van Morrison
    Album: Avalon Sunset
    Label: Mercury
    Genre: Blue-Eyed Soul
    Format mp3, bitrate: 320 kb/s vbr
    Time: 42:34
    Size: 96,9 Mb (full covers)
    Bubu's Rating: 1989: Van Morrison - Avalon Sunset1989: Van Morrison - Avalon Sunset1989: Van Morrison - Avalon Sunset1989: Van Morrison - Avalon Sunset1989: Van Morrison - Avalon Sunset

Van Morrison scored one of his biggest commercial successes with Avalon Sunset, a record highlighted by the gorgeous "Have I Told You Lately," one of his most heartfelt love songs and a major radio hit which helped introduce his music to a new generation of listeners. Not a consistently strong LP, Avalon Sunset is nevertheless the work of a master craftsman, its lush orchestration and atmospheric production casting an irresistibly elegant spell; a deeply spiritual record, it also includes the standout opener, "Whenever God Shines His Light," a collaboration with Cliff Richard. - Jason Ankeny at All Music Guide
2004: Sarah Vaughan - 80th Birthday Celebration Music » Jazz » Vocal Jazz
2004: Sarah Vaughan - 80th Birthday Celebration     Artist: Sarah Vaughan
     Album: 80th Birthday Celebration
     Release Date: 8.3.2004
     Label: Fantasy
     Format, bitrate: mp3, 320 kb/s
     Time: CD1 - 70:03, CD2 - 73:38, CD3 - 69:59
     Size: CD1 - 145MB, CD2 - 154MB, CD3 - 147MB





54 Classic Crown And Pablo Recordings




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