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For Administration
Jazz Blues Club » Articles for 20.01.2012
1967: Buddy Tate - When I'm Blue: The Definitive Black & Blue Sessions Music » Soul » Soul-Jazz

1967:  Buddy Tate - When I'm Blue: The Definitive Black & Blue Sessions
     Artist: Buddy Tate
     Album: When I'm Blue: The Definitive Black & Blue Sessions
     Label: Black & Blue
     Year: 1967; release: 2002
     Quality: MP3@320 kbps
     Size: 144 mb
     Total time: 66:13


     As part of The Definitive Black & Blue Sessions series, tenor saxophonist Arnett Cobb is spotlighted on ten digitally remastered tracks, recorded live in France on December 7, 1967. Cobb recorded several records for Black & Blue, but this straight-ahead live session is special. Paired up with Milt Buckner on organ and Wallace Bishop on drums, Cobb is still in excellent form even though this was recorded late in his career. Among the previously unreleased tracks are "Too Heavy Blues" and"When I'm Blue".
1960-1961: Joe "Fingers" Carr / Lou Busch - Let's Do It Again! / From Honky-Tonk To The Classics (2 CD) Novelty Ragtime, Dixieland
1960-1961: Joe "Fingers" Carr / Lou Busch - Let's Do It Again! / From Honky-Tonk To The Classics (2 CD)
     Artists: Joe "Fingers" Carr / Lou Busch
     Album: Let's Do It Again! / From Honky-Tonk To The Classics (2 CD)
     Label: Jasmine Records
     Years: 1960-1961; release:2010
     Format, bitrate: mp3 320 kbps CBR
     Time: 01:13:25 min + 01:18:17 min
     Size:132.83 Мb + 131.94 Мb

     Lou Busch was a major arranger - conductor who created an alter ego for himself in the guise of Joe 'Fingers' Carr the ragtime and honky-tonk pianist. For the first time on one compilation we present both facets of the spectacular Lou Busch / Joe 'Fingers' Carr career. ~ Jasmine Records

     2010 two CD set. .Lou Busch was a major arranger/conductor who created an alter ego for himself in the guise of Joe Fingers Carr the Ragtime and Honky Tonk pianist. For the first time on one compilation we present both facets of the spectacular Lou Busch/Joe Fingers Carr career. All of Joe Fingers Carr's hits are featured including 'Lets Do It Again!', 'Music! Music! Music!', 'Maple Leaf Rag', 'Portuguese Washerwomen', 'Sam's Song', 'Down Yonder', 'Tiger Rag', 'Beer Barrel Polka', 'The Old Piano Roll Blues' and many more! In addition are his great orchestral works plus his hit recordings with wife Margaret Whiting and all three tracks from Roger and Hammerstein's The King and I. ~ cduniverse.com
1957: Prestige All Stars - Earthy Music » Jazz » BeBop » Hard-bop
1957: Prestige All Stars - Earthy
     Artists: Prestige All Stars
     Album: Earthy
     Label: OJC/Prestige (Limited Edition)
     Year: 1957
     Quality: mp3@320
     Size: 85 mb (with covers)
     AMG Rating: 1957: Prestige All Stars - Earthy


     This January 25, 1957 jam session by the "Prestige All-Stars" features Art Farmer on trumpet, Al Cohn on tenor sax, Hal McKusick on alto sax, Kenny Burrell on guitar, Mal Waldron on piano, Teddy Kotick on bass and Ed Thigpen on drums. While it's not an earth-shattering date, what makes this blowing affair better than average is the original (though simple) compositions -- two each by Mal and Hal, and one by Kenny Burrell.
1997: Jacky Terrasson Trio - Alive Music » Jazz » BeBop » Post-bop
1997: Jacky Terrasson Trio - Alive     Artist: Jacky Terrasson
     Album: Alive
     Year: 1997
     Label: Blue Note
     Total time: 60:24
     Format: lossless (FLAC, cue,log)
     Size: 259 MB (inc. covers)
REPOST with new links

     This is a very subtle date with the musicians utilizing dynamics and a lot of space (a little reminiscent in spots of Ahmad Jamal's Trio). Pianist Jacky Terrasson is so laidback in spots that it is almost as if he does not want to be recognized as the group's leader. Bassist Ugonna Okegwo works closely with him and drummer Leon Parker (famous for using a rather minimal drum set) fits into the concept well. Still, one often finds themselves listening to this music (a variety of originals and standards such as "Things Ain't What They Used to Be," "Sister Cheryl" and "Nature Boy") waiting for something to happen. "Love for Sale" (which is given the catchy bassline of "Chameleon") is a highlight of the intriguing but not essential live set.
~ Scott Yanow, All Music Guide
2002 — 2003: Daniel Kramer - Jazz Games (2CD) Music » Jazz » Fusion » Contemporary Jazz
2002 — 2003: Daniel Kramer - Jazz Games    (2CD)
     Artist: Daniel Kramer/Даниил Крамер
     Album: Jazz Games (2CD)
     Label: Promo Edition
     Years: 2002 — 2003
     Quality: MP3@320 kbps
     Size: 129 mb; 117 mb
     Total time: 58:45; 53:28
Leading figure on the Russian jazz scene, with an established international reputation,
Kramer gives a virtuoso solo performance of jazz standards and improvisations.

     Хотя пианиста Даниила Крамера и принято причислять к джазменам, он – музыкант из той редкой категории, кто одинаково свободно чувствуют себя как в джазовом, так и в академическом мире. Альбом «Jazz Games», записанный шесть лет назад и наконец вышедший в широком формате, – лучшее тому доказательство. Если обращение классики в джаз – дело привычное (так уж устроены джазмены, что переигрывают на свой лад все, что слышат), то обратная дорога куда более трудна и извилиста. Даниил Крамер не столько переиначивает джаз на академический манер, сколько смешивает и отождествляет эти понятия. Его собственные сочинения соседствуют здесь с композициями Дюка Эллингтона (Duke Ellington), Кита Джаррета (Keith Jarret) и Бенни Голсона (Benny Golson). А фортепиано как единственный инструмент, звучащий на протяжении всей пластинки (исключение составляет лишь дуэт со скрипачом Дидье Локвудом (Didier Lockwood), пьеса «All the Things You Are»), только подчеркивает чистоту эксперимента, изысканность этой игры разума.
~ Style Records
2004: Paul Brody's Sadawi - Beyond Babylon Fusion, Modern Jazz, Avantgarde
2004: Paul Brody's Sadawi - Beyond Babylon      Artist: Paul Brody's Sadawi
     Album: Beyond Babylon
     Label: Tzadik Records
     Year: 2004
     Format, bitrate: mp3, 320
     Time: 54:34
     Size: 123 mb
     AMG Rating: 2004: Paul Brody's Sadawi - Beyond Babylon

     On his second album fronting his band Sadawi, trumpeter and composer Paul Brody continues his work in the avant-klezmer trenches, helping to drag that hundred-year-old music kicking and screaming into the 21st century. On Beyond Babylon he shows his unwillingness to be constrained by any ghetto boundaries, opening the album with an extended deconstruction of the Shaker hymn "Simple Gifts" (which features a hair-raisingly skronky banjo solo by Brandon Seabrook), and making use of elements of both dub (on the contemplative and lovely "Timepeace"), and rock (note the guitar parts on "Fragment of Kafka's Friend") as well as lots and lots of modern jazz. Most of the album is thrilling; Brody's take on the David Krakauer composition "Klezmer à la Bechet" is a joyful romp in five/four meter, "Glass Dance" is a masterful chamber jazz excursion featuring guest Alan Bern on melodica; Brody's own "An Eye for a You" struts out like a brazen shtetl girl daring someone to dance with her. Only the scattershot and static "Masks and Faces" fails to impress. Highly recommended overall.
~ Rick Anderson, All Music Guide

     Paul Brody's Beyond Babylon (Tzadik), the follow-up to 2002's Kabbalah Dream, features the same sparse and effective lineup known as Sadawi: the leader on trumpet, Jan Hermerschmidt on clarinets, Brandon Seabrook on banjo and guitar, Martin Lillich on bass and Eric Rosenthal on drums. Based in Berlin, Brody has an alt-klezmer worldview not unlike Frank London's or David Krakauer's, so it's not surprising to find smart adaptations of London's "Golem Khosidl" and Krakauer's "Klezmer a la Bechet" on this album. Ben Goldberg's "Masks and Faces," done in a snaky 5/4, features Alan Bern on accordion. "A Fragment of Kafka's Friend," loosely based on a piece by Naftule's Dream, showcases the group at its most abstract. The remaining originals are animated by a Krakauer-esque melding of shtetl music, hard rock and electro-tweaking. Some of the writing is too kitschy, but the banjo is a fun and unusual touch.
~ David R. Adler, Jazztimes
1912-1926: Al Turk/Charlie Straight/Gene Greene - Chicago Rhythm Traditional Jazz, Ragtime, Classic Jazz
1912-1926: Al Turk/Charlie Straight/Gene Greene - Chicago Rhythm
     Artist: Al Turk/ Charley Straight / Gene Green
     Album: Chicago Rhythm
     Label: Jazz Oracle
     Year: 1912-13;1923-26;1924-26; Release: 1999
     Format, bitrate: MP3@320 kbps
     Time: 72 min
     Size: 100mb, 77mb

Complete output of Al Turk's Princess Orch. made for the Olympic and Okeh labels plus the best of Charlie Straight's Orch. from Paramount, Brunswick and Vocalion.
~ Jazz Oracle

     Chicago-based band recorded highly individual, well arranged jazz inspired by dance records - this album of material from 1912-26 is typical of the style from the artists of the time - it runs the gamut of straight dance tunes to hot jazz ~ cduniverse.com
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